by Loimere
George R. R. Martin’s epic fantasy A Game of Thrones is one of the great stories of the last 20 years. Because it creates a narrative that deconstructs the characters we have come to expect in a fantasy. It forced us to re-examine these expectations – who is good, who is bad – by providing much deeper characterizations and very human responses.
In fact, for much of the book, there is little or no fantasy. This could just be some sort of odd historical work of fiction. But its twisting of what we expect in the narrative makes us very much aware of how we come to most works with a pre-conceived idea of good, evil, right wrong. We expect good guys to be smart and do good. Bad guys are never as smart as the good guy. IN battles, the good guys are never defeated and none of the major characters is physically damaged during any battle.
None of that is true here. Which is why I was worried about the TV adaptation. TV does not like to destroy preconceptions very often, The book contained many scenes that were important to the narrative but would not seem like anything TV would allow to be shown.
Yet HBO did and should be commended for allowing the writers of the TV adaptation to actually provide much the same story as the book.
Shocking things have happened yet we care even more deeply about the characters, even the bad ones, because we have to see how it all turns out, knowing that we cannot really get hints from our preconceptions.
Not only could anyone die, but the bad guys may never really get the death they deserve. Or they might. Only Martin knows.
Luckily, the internet can provide us some of what we want:
I want the writer to be the smartest of all, to have such a grasp of the narrative that every surprise actually makes absolute sense. It is not just a gotcha. we can see just how the writer got us to that surprise.
The finale of Game of Thrones set us up for an exciting new season next year, with every character having something to add.
All the reasons I loved the end of Game of Thrones are also reasons I loathed the end of the Killing. The killing is all about gotchas, for no reason other than to be a gotcha. The characters change their behavior simply to provide twists.
And this is a show where I definitely do not think the writers are smarter than me. They simply lie to me in order to drive the plot. The detectives have been so incompetent that they have literally ruined three and maybe more lives. One man lies in a coma and another may be killed, all because they were simply stupid.
Linden ends the season having left the Seattle PD. How in the world would any reasonably realistic world ever allow her back next season to work on this case?
So, we have a show that is not like any other police procedural – the cops are stupid and incompetent. And everyone is a suspect for one show? Red herrings become boring after a while and deus ex machina endings are just bad writing, not great art.
The end of the Killing reminded me of the end of Tootsie – where Hoffman reveals that he is really the son, not daughter, come to exact revenge. Such a contrived end is funny in this setting. Not so in the Killing where I feel I just waster 13 weeks of my life.
In contrast to Game of Thrones, there simply is no one in the show I care about at all, not even the police. They are stupid, incompetent, petulant, and just boring. And they change day to day based on what the writers want in order to make the plot more mysterious, etc.
After 13 weeks we know less about the killing of Rosie than the first 15 minutes. And the twisting of the characters in order to shock us has actually created characters I no longer give a rip about.
I’ll wait a year to see the 2nd season of Game of Thrones. It has compelling characters in a narrative that I simply can not guess.
Not so for the Killing. It has boring charcaters in service to a narrative that constantly lies to the audience. So I know how things will go next season – more lies from incompetents.
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